Experimentation in Literature in the 1920s Essay -- essays papers

Experimentation in Literature during the 1920s The year 1920 opened 10 years that end up resembling none other before it, 10 years that was to shake the world. The 1920's changed the manner in which the world worked, for it was a period of disclosure and accomplishment through extemporization and experimentation, when in the past everything had been painstakingly toiled over, and thoroughly considered altogether. A couple of these disclosures and accomplishments, and the men who achieved them, stand apart from the rest. With James Joyce and the distribution of his monstrous perfect work of art Ulysses, T.S. Eliot, and the distribution of his splendid and shocking sonnet The Waste Land, and F. Scott Fitzgerald and the distribution of his perplexing and heartbreaking The Great Gatsby, the 1920's were in fact a period of astounding disclosure and accomplishment through experimentation and spontaneous creation. T.S. Eliot distributed The Waste Land in 1922, and the universe of verse changed until the end of time. However his investigations in structure and style started well before The Waste Land was ever distributed. Eliot was building up his interesting style, as exhibited in a few of his initial sonnets. Observable among these sonnets is the incredible work The Love Song of J. Alfred Prufrock, which got a lot of basic praise subsequent to being distributed in America. The Love Song of J. Alfred Prufrock, or only Prufrock, the same number of pundits called it showed his mix of obtrusive cynicism and shrinking expectations and wants with the sterility of current life. Another stunning element in the sonnet was the juxtaposition of the splendidly unique refrain with the prosaic, something that made his style special; at no other time had anybody so daringly put the regular language and the obscure together in such a design. Prufrock successfully presen... ...ng Company, 1996 Anderson, Chester, James Joyce. New York, Thames/Hudson, 1967. Brownstone, David and Irene Frank, Timeline of the Twentieth Century. Canada, Little-Brown and Company, 1996. Daniel, Clifton, proofreader, Chronicle of the Twentieth Century. US, Harper and Row, 1990. Daniels, Jonathan, The Time Between the Wars. US, Doubleday, 1966. Day, Martin, A Handbook of American Literature. New York, Crane, Russak, and Company, Inc., 1975. Ellman, Richard, James Joyce. US, Oxford Press, 1959. F. Scott Fitzgerald, Gale's Discovering Authors, 1995. James Joyce, Gale's Discovering Authors, 1995. Severn, William, The End of the Roaring Twenties. US, Simon and Shuster, 1969. Tate, Allen, supervisor, T.S. Eliot and His Work. US, University of the South, 1966. T.S. Eliot, Gale's Discovering Authors, 1995. Experimentation in Literature during the 1920s Essay - expositions papers Experimentation in Literature during the 1920s The year 1920 opened 10 years that end up resembling none other before it, 10 years that was to shake the world. The 1920's changed the manner in which the world worked, for it was a period of revelation and accomplishment through act of spontaneity and experimentation, when in the past everything had been painstakingly toiled over, and thoroughly considered completely. A couple of these disclosures and accomplishments, and the men who achieved them, stand apart from the rest. With James Joyce and the distribution of his monstrous perfect work of art Ulysses, T.S. Eliot, and the distribution of his splendid and staggering sonnet The Waste Land, and F. Scott Fitzgerald and the distribution of his intricate and disastrous The Great Gatsby, the 1920's were for sure a period of astounding disclosure and accomplishment through experimentation and act of spontaneity. T.S. Eliot distributed The Waste Land in 1922, and the universe of verse changed until the end of time. However his tests in structure and style started some time before The Waste Land was ever distributed. Eliot was building up his one of a kind style, as showed in a few of his initial sonnets. Recognizable among these sonnets is the amazing work The Love Song of J. Alfred Prufrock, which got a lot of basic approval in the wake of being distributed in America. The Love Song of J. Alfred Prufrock, or only Prufrock, the same number of pundits called it showed his blend of unmitigated negativity and shrinking expectations and wants with the sterility of present day life. Another stunning element in the sonnet was the juxtaposition of the splendidly unique stanza with the worn out, something that made his style extremely one of a kind; at no other time had anybody so daringly put the normal language and the exclusive together in such a design. Prufrock viably presen... ...ng Company, 1996 Anderson, Chester, James Joyce. New York, Thames/Hudson, 1967. Brownstone, David and Irene Frank, Timeline of the Twentieth Century. Canada, Little-Brown and Company, 1996. Daniel, Clifton, editorial manager, Chronicle of the Twentieth Century. US, Harper and Row, 1990. Daniels, Jonathan, The Time Between the Wars. US, Doubleday, 1966. Day, Martin, A Handbook of American Literature. New York, Crane, Russak, and Company, Inc., 1975. Ellman, Richard, James Joyce. US, Oxford Press, 1959. F. Scott Fitzgerald, Gale's Discovering Authors, 1995. James Joyce, Gale's Discovering Authors, 1995. Severn, William, The End of the Roaring Twenties. US, Simon and Shuster, 1969. Tate, Allen, editorial manager, T.S. Eliot and His Work. US, University of the South, 1966. T.S. Eliot, Gale's Discovering Authors, 1995.